Build your
film look.
Colour, density, grain and glow in one OpenFX plugin for DaVinci Resolve. Explore real footage from our project, processed with Film Pro.
Sony S-Log3 / S-Gamut3.Cine footage → DaVinci Wide Gamut / Intermediate → Film Pro → Rec.709 Gamma 2.4.
Output CST Tone Mapping: DaVinci · Film Pro Tone Mapping: Off.
Web previews use colour-managed sRGB. Each comparison holds its source frame and base exposure balance fixed.
Strong demonstration settings make the effects easy to compare. Captions show the actual values used.
See Film Pro on real footage.
The same frames. The actual plugin. Explore looks, density, grain and glow.
Film Pro
Film looks
Compare None, RS Clean Natural and RS Cinematic on the same camera frame, with both film looks at Strength 1.
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Film Pro
Colour and density
See Green Density at +1 deepen real foliage. Compare the same shot with the other density controls held neutral.
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Film Pro
Film grain
Compare 16, 35 and 65 mm-style grain at Amount 1, using matched detail crops from full-resolution renders.
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Film Pro
Halation and bloom
See warm halation around backlit hair and a softer bloom from a bright window. Compare each effect separately or together.
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Start with a film look.
Choose RS Clean Natural or RS Cinematic, then set Look Strength. Both looks are shown at their maximum Strength of 1. Select None to compare the same car-and-mountain frame without a film preset.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Four working spaces. DaVinci WG / Intermediate, ACEScct, ACEScg and Rec.709 Gamma 2.4. Film Pro grades through its internal DWG / Intermediate pipeline and returns the selected working space. On an ACES project, keep your project IDT and ODT in place. Tone Mapping defaults to off; avoid applying it again if your output transform already handles it.
Balance the light.
Adjust Temperature and Tint before shaping the look. This window portrait shows a strong Temperature +50 adjustment; exposure and the other feature settings stay fixed.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Shape the contrast.
Work with Dark Lift, Exposure, Contrast, Tone Compression, Shadows, Highlights and S-Curve. This example changes Contrast from 0 to +0.6; Shadows and the other tone adjustments stay neutral.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Add colour density.
Control red, yellow, green, cyan, blue and magenta density separately. Compare Green Density at +1 to see a pronounced change in the foliage on the same outdoor portrait.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Shape colour and saturation.
Use RS Adaptive Saturation, Subtractive Saturation and Bleach Bypass to shape the colour. Bleach Bypass is shown at 1 for a pronounced change in saturation and contrast.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Set shadow and highlight hues.
Choose the two hues, then adjust Split Tone, Tone Density and Split Balance. Split Tone at 1 makes the cool shadows and warm highlights easy to compare on the same portrait.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Choose the grain character.
Compare 16, 35 and 65 mm-style grain with Amount raised to 1 for each style. Each keeps its stock size, sharpness and saturation settings. Full 4096×2160 renders are cropped identically without scaling, so the texture remains visible.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Warm edges. Soft glow.
A man beside a bright window reveals the difference: Halation adds warm edges around his backlit hair; Bloom spreads the window light more softly. Compare the stronger effects separately, or together, on the same frame.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Blend the whole grade.
Global Blend controls the mix between the Film Pro input and its processed result. Compare 0, 0.5 and 1 with RS Cinematic at Look Strength 1. The camera conversion and fixed source balance remain in place.
View controls and defaults
Shipping default values are shown below for reference. The comparison caption states the settings used in the image.
Carry your grade into a LUT.
Export a 17³ .cube for Sony S-Log3 / S-Gamut3.Cine input to Rec.709 Scene output. Supported colour and tone adjustments are baked into the LUT; grain, halation and bloom stay in the plugin.
The external Output CST and its DaVinci tone mapping are separate from Film Pro’s LUT export. This page demonstrates Rec.709 Gamma 2.4 output; the exported LUT uses the fixed Rec.709 Scene format above. Use the plugin for grain and glow.
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