Nine panels. Every number read out of the build.
Thirty-eight sliders, eleven switches and three menus, in one OpenFX node. Each panel below is drawn from the shipping plugin — the defaults are its defaults, and every knob sits where the plugin puts it.
Two looks, or none at all.
Two looks, faded on their own while the manual controls stay applied. Tone Mapping is matched to DaVinci's own, so your Output transform can stay on None — and an exported LUT carries it.
Four working spaces. DaVinci WG / Intermediate, ACEScct, ACEScg and Rec.709 Gamma 2.4. On an ACES timeline it converts ACES ↔ DaVinci Wide Gamut internally, with Bradford white adaptation, so the look is identical and your IDT and ODT keep working.
Adaptation, not a tint slider.
A true Bradford adaptation on the Planckian locus, measured in mired so the drag feels even the whole way across.
offfullControls that grab like a curve.
Shadows and Highlights each pull their own region, and each carries a Range in stops saying where the grab lands. A filmic S-curve sits on top.
offfullSix axes of print density.
Density along the red, yellow, green, cyan, blue and magenta axes — darker and richer together, the way a print goes, not a hue rotation.
offfullSaturation that cannot go neon.
A per-pixel headroom limiter keeps colour from clipping, so saturation cannot go neon. Bleach Bypass is silver retention: contrast without lifting brightness.
offfullTwo colours. Any two.
Pick both hues yourself. The tint rotates from one to the other as tone rises, so there is no dead spot in the mids and black stays anchored.
offfull16, 35 and 65 mm.
Grain in the density domain — strongest in the mids, gone at true black. Pick a stock, then move any slider. Resolution-aware from 1080 to 6K.
offfullThe corona film leaves behind.
Light bounces off the film base and re-exposes the red layer: a warm corona on the highlight. Bloom is the neutral glow beside it.
offfullOne knob over everything.
One dry/wet across the look and all thirty-seven controls. At 0 the picture is your untouched input.
offfullOne button. Your grade, baked.
Export LUT bakes the grade, the look and the tone mapping into one .cube. Grain and halation stay behind — they read neighbouring pixels, and no 3D LUT can.
Buying the bundle? Skin's five panels are here ›